Mamallapuram (Mahabalipuram) the Pallava Dynasty Having Good Hotels for Indian Nuclear Power Plant IGCAR,Tamil Nadu

Pallava Dynasty was a great age of temple building. The Pallavas introduced the art of excavating temples from the rock. In fact, the Dravidian style of temple architecture began with the Pallava rule. It was a gradual evolution starting from the cave temples to monolithic rathas and culminated in structural temples. The development of temple architecture under the Pallavas can be seen in four stages.

Mahendravarman ( I ) introduced the rock-cut temples. This style of Pallava temples are seen at places like Mandagappattu, Mahendravadi, Mamandur, Dalavanur, Tiruchirappalli, Vallam, Siyamangalam and Tirukalukkunram.

The second stage of Pallava architecture is represented by the monolithic rathas and Mandapas found at Mamallapuram. Narasimhavarman I took the credit for these wonderful architectural monuments. The five rathas, popularly called as the Panchapanadava rathas, signifies five different styles of temple architecture. The mandapas contain beautiful sculptures on its walls.

The most popular of these mandapas are Mahishasuramardhini Mandapa, Tirumurthi Mandapam and Varaha Madapam. In the next stage, Rajasimha introduced the structural temples. These temples were built by using the soft sand rocks. The Kailasanatha temple at Kanchi and the Shore temple at Mamallapuram remain the finest examples of the early structural temples of the Pallavas. The Kailasanatha temple at Kanchi is the greatest architectural master piece of the Pallava art.

The last stage of the Pallava art is also represented by structural temples built by the later Pallavas. The Vaikundaperumal temple, Muktheeswara temple and Matagenswara temples at Kanchipuram belong to this stage of architecture.

Advertisement

The Pallavas had also contributed to the development of sculpture. Apart from the sculptures found in the temples, the ‘Open Art Gallery’ at Mamallapuram remains an important monument bearing the sculptural beauty of this period. The Descent of the Ganges or the Penance of Arjuna is called a fresco painting in stone. The minute details as well as the theme of these sculptures such as the figures of lice-picking monkey, elephants of huge size and the figure of the ‘ascetic cat’ standing erect remain the proof for the talent of the sculptor.

Fine Arts in the Pallava Art and Architecture

'); var s = document.createElement('script'); s.type = 'text/javascript'; s.async = true; s.src = 'https://ad.admitad.com/shuffle/289c251618/'+subid_block+'?inject_to='+injectTo; var x = document.getElementsByTagName('script')[0]; x.parentNode.insertBefore(s, x); })();

Music, dance and painting had also developed under the patronage of the Pallavas. The Mamandur inscription contains a note on the notation of vocal music. The Kudumianmalai inscription referred to musical notes and instruments. The Alwars and Nayanmars composed their hymns in various musical notes. Dance and drama also developed during this period. The sculptures of this period depict many dancing postures. The Sittannavasal paintings belonged to this period. The commentary called Dakshinchitra was compiled during the reign of Mahendravarman I, who had the title Chittirakkarapuli.

While the early Chalukyan ruled in the Karnataka, the early Pallavas ruled in the Andhra Pradesh. Under the ablest kings such as Mahendravarman, they extended their territories to the Tamil Nadu From the time of great Mahendravarman, finest examples of Pallava art were created in Tamil Nadu such as Shore Temple and 7 pagodas of Mahabalipuram.

Today’s Mahabalipuram was known as Mamalai (Green Hill) in ancient times. Pallava King Mahendravarman successor Narsimhamvaraman was known as “Mamalla” or “The warrior”. This port city was named “Mamallapuram” after Narsimhamvaraman. This was one of the greatest ports of ancient times and here was a “cosmopolitan’ culture where people rubbed their shoulders with the Romans. This is evident from the roman coins found here and traces of a roman colony located here. Contents [hide] Most important Features of the Pallava Architecture Mandagapattu rock cut temple Kailasanathar Temple, Kanchipuram Vaikuntha Perumal temple, Kanchipuram Shore Temple, Mahabalipuram

The mystery of 7 Pagodas Most important Features of the Pallava Architecture The Pallava architecture shows the transition from the Rock Cut Architecture to the Stone built temples. The earliest examples of the Pallava art are the rock cut temples of the 7th century AD, while the later examples are of structural temples built in 8th and 9th century. The rock cut reliefs of the Pallavas are the earliest surviving royal portraits after the Kushana images. At the end of 6th century, King Harsha ruled in the North and he patronized the Buddhist Institutions. In South, Pallavas expanded themselves from the much of the Andhra Pradesh of today to much of Tamil Nadu.

The Pallava Kings are known to be one of the greatest patrons of the art, music, architecture, dance and literature. King Mahendravarman was a poet and a playwright who wrote a satire on contemporary life titled “Mattavilasa Prahasana“. Another King of Pallava Dynasty named Rajsimha (Narsimhamvaraman) was such a great lover of art that he used the title “Kalasamudra” for himself. Mandagapattu rock cut temple The earliest monument of Mahendravarman was Mandagapattu rock cut temple which was a single rock cut temple built without any wood, brick or metal. It is located near Villupuram in Tamil Nadu. This temple has the icons of large Dwarapalas which later became a characteristic of almost all south Indian temples. However, one of the most marvelous chapters opened with the reign of successor of Mahendravarman i.e. Narsimhavarman “Mamalla” or Rajsimha. During his reign at Mahabalipuram, massive boulders were transformed into a world of divine. These are earliest styles of temples in South India.

Kanchipuram was the capital of the Pallavas from 4th to 9th century. Huen Tsang visited this city and wrote it a glorious city. Here, Buddhaghosa lived in 6th century.

Kailasanathar Temple, Kanchipuram Kailasanathar Temple is best building created during the reign of Pallava King Narsimhamvaraman. This temple is one of the most beautiful temples in India which has well balanced sculptures like a jewel box. This temple is important for historic point of view because: This temple inspired Rajraja Chola I to built another great beauty Brihadeshwar Temple at Tanjore.

The direct & close intervention of the rulers started after creation of this temple. Thus, the Kailasanathar temple began a new tradition in India where the kings took deep interest in building the temples with great structural design and antiquity. This temple has the Lion Sculptors everywhere. Lion was the insignia of the Pallavas. Vaikuntha Perumal temple, Kanchipuram Vaikuntha Perumal temple is located at Kanchipuram in Tamil Nadu. It was built by Nandivarman. It is one of the 108 Divya Desams (108 holiest Shrines of Vishnu).

The temple was named “Parameshwara Vishnugriham” after the original name Parmeshwara of Nandivarman. Shore Temple, Mahabalipuram Shore Temple is a granite made temple at Mahabalipuram built during the rein of Narsimhavarman. This group of temples is a UNESCO World Heritage Site and is oldest strucutral temple (in contrast with rock cut temples) in India. Its a beautiful 5 storyed temple, which is a combined complex of 3 shrines; 2 dedicated to Shiva and one to Vishnu.

Importance of Shore Temple:

The Shore Temple marks the culmination of the architectural efforts that began with the cave temples and monolithic rathas. The mystery of 7 Pagodas 7 Pagodas is a term associated with the Shore Temple of Mahabalipuram. It is said that 6 more temples were associated with it, all now submerged in water. The legend is that prior to Narsimhamvaraman, the construction of the cave temples had started in the time of Mahendravarman. But later the order for free standing strucutres was given and 7 rathas (free standing temples) were created. After the 2004 Tsunami, the sand deposits of around 500 meters from the Shore temples were gulped by the sea and a clear arrangement of manmade structures was seen (TOI, February 26, 2005). The ASI started the excavations and it was said that sonar system indicated man made structures under the sea.
http://www.gktoday.in/pallava-architecture/